Table of Contents

Epilogue

Amores By D. H. Lawrence

TO OTTOLINE MORRELL IN TRIBUTE TO HER NOBLE AND INDEPENDENT SYMPATHY AND HER GENEROUS UNDERSTANDING THESE POEMS ARE GRATEFULLY DEDICATED

CONTENTS

Tease

The Wild Common

Study

Discord in Childhood

Virgin Youth

Monologue of a Mother

In a Boat

Week-night Service

Irony

Dreams Old

Dreams Nascent

A Winter’s Tale

Epilogue

A Baby Running Barefoot

Discipline

Scent of Irises

The Prophet

Last Words to Miriam

Mystery

Patience

Ballad of Another Ophelia

Restlessness

A Baby Asleep After Pain

Anxiety

The Punisher

The End

The Bride

The Virgin Mother

At the Window

Drunk

Sorrow

Dolor of Autumn

The Inheritance

Silence

Listening

Brooding Grief

Lotus Hurt by the Cold

Malade

Liaison

Troth with the Dead

Dissolute

Submergence

The Enkindled Spring

Reproach

The Hands of the Betrothed

Excursion

Perfidy

A Spiritual Woman

Mating

A Love Song

Brother and Sister

After Many Days

Blue

Snap-Dragon

A Passing Bell

In Trouble and Shame

Elegy

Grey Evening

Firelight and Nightfall

The Mystic Blue

AMORES TEASE I WILL give you all my keys,

You shall be my châtelaine, You shall enter as you please,

As you please shall go again. When I hear you jingling through

All the chambers of my soul, How I sit and laugh at you

In your vain housekeeping rôle. Jealous of the smallest cover,

Angry at the simplest door; Well, you anxious, inquisitive lover,

Are you pleased with what’s in store? You have fingered all my treasures,

Have you not, most curiously, Handled all my tools and measures

And masculine machinery? Over every single beauty

You have had your little rapture; You have slain, as was your duty,

Every sin-mouse you could capture. Still you are not satisfied,

Still you tremble faint reproach; Challenge me I keep aside

Secrets that you may not broach. Maybe yes, and maybe no,

Maybe there are secret places, Altars barbarous below,

Elsewhere halls of high disgraces. Maybe yes, and maybe no,

You may have it as you please, Since I choose to keep you so,

Suppliant on your curious knees.

THE WILD COMMON THE quick sparks on the gorse bushes are leaping, Little jets of sunlight-texture imitating flame; Above them, exultant, the pee-wits are sweeping: They are lords of the desolate wastes of sadness

their screamings proclaim. Rabbits, handfuls of brown earth, lie Low-rounded on the mournful grass they have bitten

down to the quick. Are they asleep?—Are they alive?—Now see,

when I Move my arms the hill bursts and heaves under their

spurting kick. The common flaunts bravely; but below, from the

rushes Crowds of glittering king-cups surge to challenge the

blossoming bushes; There the lazy streamlet pushes Its curious course mildly; here it wakes again, leaps,

laughs, and gushes. Into a deep pond, an old sheep-dip, Dark, overgrown with willows, cool, with the brook

ebbing through so slow,

Naked on the steep, soft lip Of the bank I stand watching my own white shadow

quivering to and fro. What if the gorse flowers shrivelled and kissing were

lost? Without the pulsing waters, where were the marigolds

and the songs of the brook? If my veins and my breasts with love embossed Withered, my insolent soul would be gone like flowers

that the hot wind took. So my soul like a passionate woman turns, Filled with remorseful terror to the man she scorned,

and her love For myself in my own eyes’ laughter burns, Runs ecstatic over the pliant folds rippling down to

my belly from the breast-lights above. Over my sunlit skin the warm, clinging air, Rich with the songs of seven larks singing at once,

goes kissing me glad. And the soul of the wind and my blood compare Their wandering happiness, and the wind, wasted in

liberty, drifts on and is sad. Oh but the water loves me and folds me,

Plays with me, sways me, lifts me and sinks me as

though it were living blood, Blood of a heaving woman who holds me, Owning my supple body a rare glad thing, supremely

good.

STUDY SOMEWHERE the long mellow note of the blackbird Quickens the unclasping hands of hazel, Somewhere the wind-flowers fling their heads back, Stirred by an impetuous wind. Some ways’ll All be sweet with white and blue violet.

(Hush now, hush. Where am I?—Biuret—) On the green wood’s edge a shy girl hovers From out of the hazel-screen on to the grass, Where wheeling and screaming the petulant plovers Wave frighted. Who comes? A labourer, alas! Oh the sunset swims in her eyes’ swift pool.

(Work, work, you fool—!) Somewhere the lamp hanging low from the ceiling Lights the soft hair of a girl as she reads, And the red firelight steadily wheeling Weaves the hard hands of my friend in sleep. And the white dog snuffs the warmth, appealing For the man to heed lest the girl shall weep. (Tears and dreams for them; for me Bitter science—the exams. are near. I wish I bore it more patiently. I wish you did not wait, my dear,

For me to come: since work I must: Though it’s all the same when we are dead.— I wish I was only a bust,

All head.)

DISCORD IN CHILDHOOD OUTSIDE the house an ash-tree hung its terrible

whips, And at night when the wind arose, the lash of the tree Shrieked and slashed the wind, as a ship’s Weird rigging in a storm shrieks hideously. Within the house two voices arose in anger, a slender

lash Whistling delirious rage, and the dreadful sound Of a thick lash booming and bruising, until it

drowned The other voice in a silence of blood, ‘neath the noise

of the ash.

VIRGIN YOUTH Now and again All my body springs alive, And the life that is polarised in my eyes, That quivers between my eyes and mouth, Flies like a wild thing across my body, Leaving my eyes half-empty, and clamorous, Filling my still breasts with a flush and a flame, Gathering the soft ripples below my breasts Into urgent, passionate waves, And my soft, slumbering belly Quivering awake with one impulse of desire, Gathers itself fiercely together; And my docile, fluent arms Knotting themselves with wild strength To clasp what they have never clasped. Then I tremble, and go trembling Under the wild, strange tyranny of my body, Till it has spent itself, And the relentless nodality of my eyes reasserts itself, Till the bursten flood of life ebbs back to my eyes, Back from my beautiful, lonely body Tired and unsatisfied.

MONOLOGUE OF A MOTHER THIS is the last of all, this is the last! I must hold my hands, and turn my face to the fire, I must watch my dead days fusing together in dross, Shape after shape, and scene after scene from my past Fusing to one dead mass in the sinking fire Where the ash on the dying coals grows swiftly, like

heavy moss. Strange he is, my son, whom I have awaited like a

lover, Strange to me like a captive in a foreign country,

haunting The confines and gazing out on the land where the

wind is free; White and gaunt, with wistful eyes that hover Always on the distance, as if his soul were chaunting The monotonous weird of departure away from me. Like a strange white bird blown out of the frozen

seas, Like a bird from the far north blown with a broken

wing Into our sooty garden, he drags and beats From place to place perpetually, seeking release From me, from the hand of my love which creeps up,

needing His happiness, whilst he in displeasure retreats. I must look away from him, for my faded eyes Like a cringing dog at his heels offend him now, Like a toothless hound pursuing him with my will, Till he chafes at my crouching persistence, and a

sharp spark flies In my soul from under the sudden frown of his brow, As he blenches and turns away, and my heart stands

still. This is the last, it will not be any more. All my life I have borne the burden of myself, All the long years of sitting in my husband’s house, Never have I said to myself as he closed the door: “Now I am caught!—You are hopelessly lost, O

Self, You are frightened with joy, my heart, like a

frightened mouse.” Three times have I offered myself, three times rejected. It will not be any more. No more, my son, my son! Never to know the glad freedom of obedience, since

long ago The angel of childhood kissed me and went. I expected Another would take me,—and now, my son, O my son,

I must sit awhile and wait, and never know The loss of myself, till death comes, who cannot fail. Death, in whose service is nothing of gladness, takes

me; For the lips and the eyes of God are behind a veil. And the thought of the lipless voice of the Father

shakes me With fear, and fills my eyes with the tears of desire, And my heart rebels with anguish as night draws

nigher, IN A BOAT SEE the stars, love, In the water much clearer and brighter Than those above us, and whiter, Like nenuphars. Star-shadows shine, love, How many stars in your bowl? How many shadows in your soul, Only mine, love, mine? When I move the oars, love, See how the stars are tossed,

Distorted, the brightest lost. —So that bright one of yours, love. The poor waters spill The stars, waters broken, forsaken. —The heavens are not shaken, you say, love, Its stars stand still. There, did you see That spark fly up at us; even Stars are not safe in heaven. —What of yours, then, love, yours? What then, love, if soon Your light be tossed over a wave? Will you count the darkness a grave, And swoon, love, swoon?

WEEK-NIGHT SERVICE THE five old bells Are hurrying and eagerly calling, Imploring, protesting They know, but clamorously falling Into gabbling incoherence, never resting, Like spattering showers from a bursten sky-rocket

dropping In splashes of sound, endlessly, never stopping. The silver moon That somebody has spun so high To settle the question, yes or no, has caught In the net of the night’s balloon, And sits with a smooth bland smile up there in

the sky Smiling at naught, Unless the winking star that keeps her company Makes little jests at the bells’ insanity, As if he knew aught! The patient Night Sits indifferent, hugged in her rags, She neither knows nor cares Why the old church sobs and brags; The light distresses her eyes, and tears

Her old blue cloak, as she crouches and covers her

face, Smiling, perhaps, if we knew it, at the bells’ loud

clattering disgrace. The wise old trees Drop their leaves with a faint, sharp hiss of contempt, While a car at the end of the street goes by with a

laugh; As by degrees The poor bells cease, and the Night is exempt, And the stars can chaff The ironic moon at their ease, while the dim old

church Is peopled with shadows and sounds and ghosts that

lurch In its cenotaph.

IRONY ALWAYS, sweetheart, Carry into your room the blossoming boughs of

cherry, Almond and apple and pear diffuse with light, that

very Soon strews itself on the floor; and keep the radiance

of spring Fresh quivering; keep the sunny-swift March-days

waiting In a little throng at your door, and admit the one

who is plaiting Her hair for womanhood, and play awhile with her,

then bid her depart.

A come and go of March-day loves

Through the flower-vine, trailing screen;

A fluttering in of doves.

Then a launch abroad of shrinking doves

Over the waste where no hope is seen

Of open hands:

Dance in and out

Small-bosomed girls of the spring of love,

With a bubble of laughter, and shrilly shout

Of mirth; then the dripping of tears on your

glove.

DREAMS OLD AND NASCENT OLD I HAVE opened the window to warm my hands on the

sill Where the sunlight soaks in the stone: the afternoon Is full of dreams, my love, the boys are all still In a wistful dream of Lorna Doone. The clink of the shunting engines is sharp and fine, Like savage music striking far off, and there On the great, uplifted blue palace, lights stir and

shine Where the glass is domed in the blue, soft air. There lies the world, my darling, full of wonder and

wistfulness and strange Recognition and greetings of half-acquaint things, as

I greet the cloud Of blue palace aloft there, among misty indefinite

dreams that range At the back of my life’s horizon, where the dreamings

of past lives crowd. Over the nearness of Norwood Hill, through the

mellow veil

Of the afternoon glows to me the old romance of

David and Dora, With the old, sweet, soothing tears, and laughter

that shakes the sail Of the ship of the soul over seas where dreamed

dreams lure the unoceaned explorer. All the bygone, hushèd years Streaming back where the mist distils Into forgetfulness: soft-sailing waters where fears No longer shake, where the silk sail fills With an unfelt breeze that ebbs over the seas, where

the storm Of living has passed, on and on Through the coloured iridescence that swims in the

warm Wake of the tumult now spent and gone, Drifts my boat, wistfully lapsing after The mists of vanishing tears and the echo of laughter.

DREAMS OLD AND NASCENT NASCENT MY world is a painted fresco, where coloured shapes Of old, ineffectual lives linger blurred and warm; An endless tapestry the past has woven drapes The halls of my life, compelling my soul to conform. The surface of dreams is broken, The picture of the past is shaken and scattered. Fluent, active figures of men pass along the railway,

and I am woken From the dreams that the distance flattered. Along the railway, active figures of men. They have a secret that stirs in their limbs as they

move Out of the distance, nearer, commanding my dreamy

world. Here in the subtle, rounded flesh Beats the active ecstasy. In the sudden lifting my eyes, it is clearer, The fascination of the quick, restless Creator moving

through the mesh Of men, vibrating in ecstasy through the rounded

flesh. Oh my boys, bending over your books, In you is trembling and fusing The creation of a new-patterned dream, dream of a

generation: And I watch to see the Creator, the power that

patterns the dream. The old dreams are beautiful, beloved, soft-toned,

and sure, But the dream-stuff is molten and moving mysteriously, Alluring my eyes; for I, am I not also dream-stuff, Am I not quickening, diffusing myself in the pattern,

shaping and shapen? Here in my class is the answer for the great yearning: Eyes where I can watch the swim of old dreams

reflected on the molten metal of dreams, Watch the stir which is rhythmic and moves them

all as a heart-beat moves the blood, Here in the swelling flesh the great activity working, Visible there in the change of eyes and the mobile

features. Oh the great mystery and fascination of the unseen

Shaper,

The power of the melting, fusing Force—heat,

light, all in one, Everything great and mysterious in one, swelling and

shaping the dream in the flesh, As it swells and shapes a bud into blossom. Oh the terrible ecstasy of the consciousness that I

am life! Oh the miracle of the whole, the widespread, labouring

concentration Swelling mankind like one bud to bring forth the

fruit of a dream, Oh the terror of lifting the innermost I out of the

sweep of the impulse of life, And watching the great Thing labouring through the

whole round flesh of the world; And striving to catch a glimpse of the shape of the

coming dream, As it quickens within the labouring, white-hot metal, Catch the scent and the colour of the coming dream, Then to fall back exhausted into the unconscious,

molten life!

A WINTER’S TALE YESTERDAY the fields were only grey with scattered

snow, And now the longest grass-leaves hardly emerge; Yet her deep footsteps mark the snow, and go On towards the pines at the hills’ white verge. I cannot see her, since the mist’s white scarf Obscures the dark wood and the dull orange sky; But she’s waiting, I know, impatient and cold, half Sobs struggling into her frosty sigh. Why does she come so promptly, when she must

know That she’s only the nearer to the inevitable farewell; The hill is steep, on the snow my steps are slow— Why does she come, when she knows what I have to

tell?

EPILOGUE PATIENCE, little Heart. One day a heavy, June-hot woman Will enter and shut the door to stay. And when your stifling heart would summon Cool, lonely night, her roused breasts will keep the

night at bay, Sitting in your room like two tiger-lilies Flaming on after sunset, Destroying the cool, lonely night with the glow of

their hot twilight; There in the morning, still, while the fierce strange

scent comes yet Stronger, hot and red; till you thirst for the

daffodillies With an anguished, husky thirst that you cannot

assuage, When the daffodillies are dead, and a woman of the

dog-days holds you in gage. Patience, little Heart.

A BABY RUNNING BAREFOOT WHEN the bare feet of the baby beat across the grass The little white feet nod like white flowers in the

wind, They poise and run like ripples lapping across the

water; And the sight of their white play among the grass Is like a little robin’s song, winsome, Or as two white butterflies settle in the cup of one

flower For a moment, then away with a flutter of wings. I long for the baby to wander hither to me Like a wind-shadow wandering over the water, So that she can stand on my knee With her little bare feet in my hands, Cool like syringa buds, Firm and silken like pink young peony flowers.

DISCIPLINE IT is stormy, and raindrops cling like silver bees to

the pane, The thin sycamores in the playground are swinging

with flattened leaves; The heads of the boys move dimly through a yellow

gloom that stains The class; over them all the dark net of my discipline

weaves. It is no good, dear, gentleness and forbearance, I

endured too long. I have pushed my hands in the dark soil, under the

flower of my soul And the gentle leaves, and have felt where the roots

are strong Fixed in the darkness, grappling for the deep soil’s

little control. And there is the dark, my darling, where the roots

are entangled and fight Each one for its hold on the oblivious darkness, I

know that there In the night where we first have being, before we rise

on the light, We are not brothers, my darling, we fight and we

do not spare. And in the original dark the roots cannot keep,

cannot know Any communion whatever, but they bind themselves

on to the dark, And drawing the darkness together, crush from it a

twilight, a slow Burning that breaks at last into leaves and a flower’s

bright spark. I came to the boys with love, my dear, but they

turned on me; I came with gentleness, with my heart ‘twixt my

hands like a bowl, Like a loving-cup, like a grail, but they spilt it

triumphantly And tried to break the vessel, and to violate my

soul. But what have I to do with the boys, deep down in

my soul, my love? I throw from out of the darkness my self like a flower

into sight, Like a flower from out of the night-time, I lift my

face, and those Who will may warm their hands at me, comfort this

night. But whosoever would pluck apart my flowering shall

burn their hands, So flowers are tender folk, and roots can only hide, Yet my flowerings of love are a fire, and the scarlet

brands Of my love are roses to look at, but flames to chide. But comfort me, my love, now the fires are low, Now I am broken to earth like a winter destroyed,

and all Myself but a knowledge of roots, of roots in the dark

that throw A net on the undersoil, which lies passive beneath

their thrall. But comfort me, for henceforth my love is yours

alone, To you alone will I offer the bowl, to you will I give My essence only, but love me, and I will atone To you for my general loving, atone as long as I live.

SCENT OF IRISES A FAINT, sickening scent of irises Persists all morning. Here in a jar on the table A fine proud spike of purple irises Rising above the class-room litter, makes me unable To see the class’s lifted and bended faces Save in a broken pattern, amid purple and gold and

sable. I can smell the gorgeous bog-end, in its breathless Dazzle of may-blobs, when the marigold glare overcast

you With fire on your cheeks and your brow and your

chin as you dipped Your face in the marigold bunch, to touch and contrast

you, Your own dark mouth with the bridal faint lady-smocks, Dissolved on the golden sorcery you should not

outlast. You amid the bog-end’s yellow incantation, You sitting in the cowslips of the meadow above, Me, your shadow on the bog-flame, flowery may-blobs, Me full length in the cowslips, muttering you love; You, your soul like a lady-smock, lost, evanescent, You with your face all rich, like the sheen of a

dove. You are always asking, do I remember, remember The buttercup bog-end where the flowers rose up And kindled you over deep with a cast of gold? You ask again, do the healing days close up The open darkness which then drew us in, The dark which then drank up our brimming cup. You upon the dry, dead beech-leaves, in the fire of

night Burnt like a sacrifice; you invisible; Only the fire of darkness, and the scent of you! —And yes, thank God, it still is possible The healing days shall close the darkness up Wherein we fainted like a smoke or dew. Like vapour, dew, or poison. Now, thank God, The fire of night is gone, and your face is ash Indistinguishable on the grey, chill day; The night has burnt us out, at last the good Dark fire burns on untroubled, without clash Of you upon the dead leaves saying me Yea.

THE PROPHET AH, my darling, when over the purple horizon shall

loom The shrouded mother of a new idea, men hide their

faces, Cry out and fend her off, as she seeks her procreant

groom, Wounding themselves against her, denying her

fecund embraces.

LAST WORDS TO MIRIAM YOURS is the shame and sorrow

But the disgrace is mine; Your love was dark and thorough, Mine was the love of the sun for a flower

He creates with his shine. I was diligent to explore you,

Blossom you stalk by stalk, Till my fire of creation bore you Shrivelling down in the final dour

Anguish—then I suffered a balk. I knew your pain, and it broke

My fine, craftsman’s nerve; Your body quailed at my stroke, And my courage failed to give you the last

Fine torture you did deserve. You are shapely, you are adorned,

But opaque and dull in the flesh, Who, had I but pierced with the thorned Fire-threshing anguish, were fused and cast

In a lovely illumined mesh. Like a painted window: the best

Suffering burnt through your flesh, Undrossed it and left it blest With a quivering sweet wisdom of grace: but

now

Who shall take you afresh? Now who will burn you free

From your body’s terrors and dross, Since the fire has failed in me? What man will stoop in your flesh to plough

The shrieking cross? A mute, nearly beautiful thing

Is your face, that fills me with shame As I see it hardening, Warping the perfect image of God,

And darkening my eternal fame.

MYSTERY Now I am all One bowl of kisses, Such as the tall Slim votaresses Of Egypt filled For a God’s excesses. I lift to you My bowl of kisses, And through the temple’s Blue recesses Cry out to you In wild caresses. And to my lips’ Bright crimson rim The passion slips, And down my slim White body drips The shining hymn. And still before The altar I Exult the bowl Brimful, and cry

To you to stoop And drink, Most High. Oh drink me up That I may be Within your cup Like a mystery, Like wine that is still In ecstasy. Glimmering still In ecstasy, Commingled wines Of you and me In one fulfil The mystery.

PATIENCE A WIND comes from the north Blowing little flocks of birds Like spray across the town, And a train, roaring forth, Rushes stampeding down With cries and flying curds Of steam, out of the darkening north. Whither I turn and set Like a needle steadfastly, Waiting ever to get The news that she is free; But ever fixed, as yet, To the lode of her agony.

BALLAD OF ANOTHER OPHELIA OH the green glimmer of apples in the orchard, Lamps in a wash of rain! Oh the wet walk of my brown hen through the stack-yard, Oh tears on the window pane! Nothing now will ripen the bright green apples, Full of disappointment and of rain, Brackish they will taste, of tears, when the yellow

dapples Of autumn tell the withered tale again. All round the yard it is cluck, my brown hen, Cluck, and the rain-wet wings, Cluck, my marigold bird, and again Cluck for your yellow darlings. For the grey rat found the gold thirteen Huddled away in the dark, Flutter for a moment, oh the beast is quick and

keen, Extinct one yellow-fluffy spark. Once I had a lover bright like running water, Once his face was laughing like the sky; Open like the sky looking down in all its laughter

On the buttercups, and the buttercups was I. What, then, is there hidden in the skirts of all the

blossom? What is peeping from your wings, oh mother

hen? ‘Tis the sun who asks the question, in a lovely haste

for wisdom; What a lovely haste for wisdom is in men! Yea, but it is cruel when undressed is all the blossom, And her shift is lying white upon the floor, That a grey one, like a shadow, like a rat, a thief, a

rain-storm, Creeps upon her then and gathers in his store. Oh the grey garner that is full of half-grown apples, Oh the golden sparkles laid extinct! And oh, behind the cloud-sheaves, like yellow autumn

dapples, Did you see the wicked sun that winked!

RESTLESSNESS AT the open door of the room I stand and look at

the night, Hold my hand to catch the raindrops, that slant into

sight, Arriving grey from the darkness above suddenly into

the light of the room. I will escape from the hollow room, the box of light, And be out in the bewildering darkness, which is

always fecund, which might Mate my hungry soul with a germ of its womb. I will go out to the night, as a man goes down to the

shore To draw his net through the surfs thin line, at the

dawn before The sun warms the sea, little, lonely and sad, sifting

the sobbing tide. I will sift the surf that edges the night, with my net,

the four Strands of my eyes and my lips and my hands and my

feet, sifting the store Of flotsam until my soul is tired or satisfied. I will catch in my eyes’ quick net The faces of all the women as they go past,

Bend over them with my soul, to cherish the wet Cheeks and wet hair a moment, saying: “Is it

you?” Looking earnestly under the dark umbrellas, held

fast Against the wind; and if, where the lamplight

blew Its rainy swill about us, she answered me With a laugh and a merry wildness that it was she Who was seeking me, and had found me at last to

free Me now from the stunting bonds of my chastity, How glad I should be! Moving along in the mysterious ebb of the night Pass the men whose eyes are shut like anemones in a

dark pool; Why don’t they open with vision and speak to me,

what have they in sight? Why do I wander aimless among them, desirous

fool? I can always linger over the huddled books on the

stalls, Always gladden my amorous fingers with the touch

of their leaves, Always kneel in courtship to the shelves in the

doorways, where falls The shadow, always offer myself to one mistress,

who always receives. But oh, it is not enough, it is all no good. There is something I want to feel in my running

blood, Something I want to touch; I must hold my face to

the rain, I must hold my face to the wind, and let it explain Me its life as it hurries in secret. I will trail my hands again through the drenched,

cold leaves Till my hands are full of the chillness and touch of

leaves, Till at length they induce me to sleep, and to forget.

A BABY ASLEEP AFTER PAIN

As a drenched, drowned bee Hangs numb and heavy from a bending flower,

So clings to me My baby, her brown hair brushed with wet tears

And laid against her cheek; Her soft white legs hanging heavily over my arm Swinging heavily to my movement as I walk.

My sleeping baby hangs upon my life, Like a burden she hangs on me.

She has always seemed so light, But now she is wet with tears and numb with pain Even her floating hair sinks heavily,

Reaching downwards; As the wings of a drenched, drowned bee

Are a heaviness, and a weariness.

ANXIETY THE hoar-frost crumbles in the sun,

The crisping steam of a train Melts in the air, while two black birds

Sweep past the window again. Along the vacant road, a red

Bicycle approaches; I wait In a thaw of anxiety, for the boy

To leap down at our gate. He has passed us by; but is it

Relief that starts in my breast? Or a deeper bruise of knowing that still

She has no rest.

THE PUNISHER I HAVE fetched the tears up out of the little wells, Scooped them up with small, iron words,

Dripping over the runnels. The harsh, cold wind of my words drove on, and still I watched the tears on the guilty cheek of the boys

Glitter and spill. Cringing Pity, and Love, white-handed, came Hovering about the Judgment which stood in my

eyes,

Whirling a flame.

… … .

The tears are dry, and the cheeks’ young fruits are

fresh With laughter, and clear the exonerated eyes, since

pain

Beat through the flesh. The Angel of Judgment has departed again to the

Nearness. Desolate I am as a church whose lights are put out.

And night enters in drearness.

The fire rose up in the bush and blazed apace, The thorn-leaves crackled and twisted and sweated in

anguish;

Then God left the place. Like a flower that the frost has hugged and let go,

my head Is heavy, and my heart beats slowly, laboriously,

My strength is shed.

THE END IF I could have put you in my heart, If but I could have wrapped you in myself, How glad I should have been! And now the chart Of memory unrolls again to me The course of our journey here, before we had to

part. And oh, that you had never, never been Some of your selves, my love, that some Of your several faces I had never seen! And still they come before me, and they go, And I cry aloud in the moments that intervene. And oh, my love, as I rock for you to-night, And have not any longer any hope To heal the suffering, or make requite For all your life of asking and despair, I own that some of me is dead to-night.

THE BRIDE MY love looks like a girl to-night,

But she is old. The plaits that lie along her pillow

Are not gold, But threaded with filigree,

And uncanny cold. She looks like a young maiden, since her brow

Is smooth and fair, Her cheeks are very smooth, her eyes are closed,

She sleeps a rare Still winsome sleep, so still, and so composed. Nay, but she sleeps like a bride, and dreams her

dreams

Of perfect things. She lies at last, the darling, in the shape of her dream,

And her dead mouth sings By its shape, like the thrushes in clear evenings.

THE VIRGIN MOTHER MY little love, my darling, You were a doorway to me; You let me out of the confines Into this strange countrie, Where people are crowded like thistles, Yet are shapely and comely to see. My little love, my dearest Twice have you issued me, Once from your womb, sweet mother, Once from myself, to be Free of all hearts, my darling, Of each heart’s home-life free. And so, my love, my mother, I shall always be true to you; Twice I am born, my dearest, To life, and to death, in you; And this is the life hereafter Wherein I am true. I kiss you good-bye, my darling, Our ways are different now; You are a seed in the night-time, I am a man, to plough

The difficult glebe of the future For God to endow. I kiss you good-bye, my dearest, It is finished between us here. Oh, if I were calm as you are, Sweet and still on your bier! God, if I had not to leave you Alone, my dear! Let the last word be uttered, Oh grant the farewell is said! Spare me the strength to leave you Now you are dead. I must go, but my soul lies helpless Beside your bed.

AT THE WINDOW THE pine-trees bend to listen to the autumn wind

as it mutters Something which sets the black poplars ashake with

hysterical laughter; While slowly the house of day is closing its eastern

shutters. Further down the valley the clustered tombstones

recede, Winding about their dimness the mist’s grey

cerements, after The street lamps in the darkness have suddenly

started to bleed. The leaves fly over the window and utter a word as

they pass To the face that leans from the darkness, intent, with

two dark-filled eyes That watch for ever earnestly from behind the window

glass.

DRUNK Too far away, oh love, I know, To save me from this haunted road, Whose lofty roses break and blow On a night-sky bent with a load Of lights: each solitary rose, Each arc-lamp golden does expose Ghost beyond ghost of a blossom, shows Night blenched with a thousand snows. Of hawthorn and of lilac trees, White lilac; shows discoloured night Dripping with all the golden lees Laburnum gives back to light And shows the red of hawthorn set On high to the purple heaven of night, Like flags in blenched blood newly wet, Blood shed in the noiseless fight. Of life for love and love for life, Of hunger for a little food, Of kissing, lost for want of a wife Long ago, long ago wooed.

… …

Too far away you are, my love, To steady my brain in this phantom show That passes the nightly road above And returns again below. The enormous cliff of horse-chestnut trees

Has poised on each of its ledges An erect small girl looking down at me; White-night-gowned little chits I see,

And they peep at me over the edges Of the leaves as though they would leap, should

I call

Them down to my arms; “But, child, you’re too small for me, too small

Your little charms.” White little sheaves of night-gowned maids,

Some other will thresh you out! And I see leaning from the shades A lilac like a lady there, who braids

Her white mantilla about Her face, and forward leans to catch the sight

Of a man’s face, Gracefully sighing through the white

Flowery mantilla of lace. And another lilac in purple veiled

Discreetly, all recklessly calls In a low, shocking perfume, to know who has hailed Her forth from the night: my strength has failed

In her voice, my weak heart falls: Oh, and see the laburnum shimmering

Her draperies down, As if she would slip the gold, and glimmering

White, stand naked of gown.

… …

The pageant of flowery trees above

The street pale-passionate goes, And back again down the pavement, Love

In a lesser pageant flows. Two and two are the folk that walk,

They pass in a half embrace Of linkèd bodies, and they talk

With dark face leaning to face. Come then, my love, come as you will

Along this haunted road, Be whom you will, my darling, I shall

Keep with you the troth I trowed.

SORROW WHY does the thin grey strand Floating up from the forgotten Cigarette between my fingers, Why does it trouble me? Ah, you will understand; When I carried my mother downstairs, A few times only, at the beginning Of her soft-foot malady, I should find, for a reprimand To my gaiety, a few long grey hairs On the breast of my coat; and one by one I let them float up the dark chimney.

DOLOR OF AUTUMN THE acrid scents of autumn, Reminiscent of slinking beasts, make me fear Everything, tear-trembling stars of autumn And the snore of the night in my ear. For suddenly, flush-fallen, All my life, in a rush Of shedding away, has left me Naked, exposed on the bush. I, on the bush of the globe, Like a newly-naked berry, shrink Disclosed: but I also am prowling As well in the scents that slink Abroad: I in this naked berry Of flesh that stands dismayed on the bush; And I in the stealthy, brindled odours Prowling about the lush And acrid night of autumn; My soul, along with the rout, Rank and treacherous, prowling, Disseminated out.

For the night, with a great breath intaken, Has taken my spirit outside Me, till I reel with disseminated consciousness, Like a man who has died. At the same time I stand exposed Here on the bush of the globe, A newly-naked berry of flesh For the stars to probe.

THE INHERITANCE SINCE you did depart Out of my reach, my darling, Into the hidden, I see each shadow start With recognition, and I Am wonder-ridden. I am dazed with the farewell, But I scarcely feel your loss. You left me a gift Of tongues, so the shadows tell Me things, and silences toss Me their drift. You sent me a cloven fire Out of death, and it burns in the draught Of the breathing hosts, Kindles the darkening pyre For the sorrowful, till strange brands waft Like candid ghosts. Form after form, in the streets Waves like a ghost along, Kindled to me; The star above the house-top greets

Me every eve with a long Song fierily. All day long, the town Glimmers with subtle ghosts Going up and down In a common, prison-like dress; But their daunted looking flickers To me, and I answer, Yes! So I am not lonely nor sad Although bereaved of you, My little love. I move among a kinsfolk clad With words, but the dream shows through As they move.

SILENCE SINCE I lost you I am silence-haunted,

Sounds wave their little wings A moment, then in weariness settle

On the flood that soundless swings. Whether the people in the street

Like pattering ripples go by, Or whether the theatre sighs and sighs

With a loud, hoarse sigh: Or the wind shakes a ravel of light

Over the dead-black river, Or night’s last echoing

Makes the daybreak shiver: I feel the silence waiting

To take them all up again In its vast completeness, enfolding

The sound of men.

LISTENING I LISTEN to the stillness of you,

My dear, among it all; I feel your silence touch my words as I talk,

And take them in thrall. My words fly off a forge

The length of a spark; I see the night-sky easily sip them

Up in the dark. The lark sings loud and glad,

Yet I am not loth That silence should take the song and the bird

And lose them both. A train goes roaring south,

The steam-flag flying; I see the stealthy shadow of silence

Alongside going. And off the forge of the world,

Whirling in the draught of life, Go sparks of myriad people, filling

The night with strife.

Yet they never change the darkness

Or blench it with noise; Alone on the perfect silence

The stars are buoys.

BROODING GRIEF A YELLOW leaf from the darkness Hops like a frog before me. Why should I start and stand still? I was watching the woman that bore me Stretched in the brindled darkness Of the sick-room, rigid with will To die: and the quick leaf tore me Back to this rainy swill Of leaves and lamps and traffic mingled before me.

LOTUS HURT BY THE COLD How many times, like lotus lilies risen

Upon the surface of a river, there

Have risen floating on my blood the rare Soft glimmers of my hope escaped from prison. So I am clothed all over with the light

And sensitive beautiful blossoming of passion;

Till naked for her in the finest fashion The flowers of all my mud swim into sight. And then I offer all myself unto

This woman who likes to love me: but she turns

A look of hate upon the flower that burns To break and pour her out its precious dew. And slowly all the blossom shuts in pain,

And all the lotus buds of love sink over

To die unopened: when my moon-faced lover, Kind on the weight of suffering, smiles again.

MALADE THE sick grapes on the chair by the bed lie prone;

at the window The tassel of the blind swings gently, tapping the

pane, As a little wind comes in. The room is the hollow rind of a fruit, a gourd Scooped out and dry, where a spider, Folded in its legs as in a bed, Lies on the dust, watching where is nothing to see

but twilight and walls. And if the day outside were mine! What is the day But a grey cave, with great grey spider-cloths

hanging Low from the roof, and the wet dust falling softly

from them Over the wet dark rocks, the houses, and over The spiders with white faces, that scuttle on the

floor of the cave! I am choking with creeping, grey confinedness. But somewhere birds, beside a lake of light, spread

wings Larger than the largest fans, and rise in a stream

upwards

And upwards on the sunlight that rains invisible, So that the birds are like one wafted feather, Small and ecstatic suspended over a vast spread

country.

LIAISON A BIG bud of moon hangs out of the twilight,

Star-spiders spinning their thread Hang high suspended, withouten respite

Watching us overhead. Come then under the trees, where the leaf-cloths

Curtain us in so dark That here we’re safe from even the ermin-moth’s

Flitting remark. Here in this swarthy, secret tent,

Where black boughs flap the ground, You shall draw the thorn from my discontent,

Surgeon me sound. This rare, rich night! For in here

Under the yew-tree tent The darkness is loveliest where I could sear

You like frankincense into scent. Here not even the stars can spy us,

Not even the white moths write With their little pale signs on the wall, to try us

And set us affright.

Kiss but then the dust from off my lips,

But draw the turgid pain From my breast to your bosom, eclipse

My soul again. Waste me not, I beg you, waste

Not the inner night: Taste, oh taste and let me taste

The core of delight.

TROTH WITH THE DEAD THE moon is broken in twain, and half a moon Before me lies on the still, pale floor of the sky; The other half of the broken coin of troth Is buried away in the dark, where the still dead lie. They buried her half in the grave when they laid her

away; I had pushed it gently in among the thick of her hair Where it gathered towards the plait, on that very

last day; And like a moon in secret it is shining there. My half shines in the sky, for a general sign Of the troth with the dead I pledged myself to keep; Turning its broken edge to the dark, it shines indeed Like the sign of a lover who turns to the dark of

sleep. Against my heart the inviolate sleep breaks still In darkened waves whose breaking echoes o’er The wondering world of my wakeful day, till I’m

lost In the midst of the places I knew so well before.

DISSOLUTE MANY years have I still to burn, detained Like a candle flame on this body; but I enshrine A darkness within me, a presence which sleeps

contained In my flame of living, her soul enfolded in mine. And through these years, while I burn on the fuel of

life, What matter the stuff I lick up in my living flame, Seeing I keep in the fire-core, inviolate, A night where she dreams my dreams for me, ever

the same.

SUBMERGENCE WHEN along the pavement, Palpitating flames of life, People flicker round me, I forget my bereavement, The gap in the great constellation, The place where a star used to be. Nay, though the pole-star Is blown out like a candle, And all the heavens are wandering in disarray, Yet when pleiads of people are Deployed around me, and I see The street’s long outstretched Milky Way, When people flicker down the pavement, I forget my bereavement.

THE ENKINDLED SPRING THIS spring as it comes bursts up in bonfires green, Wild puffing of emerald trees, and flame-filled bushes, Thorn-blossom lifting in wreaths of smoke between Where the wood fumes up and the watery, flickering

rushes. I am amazed at this spring, this conflagration Of green fires lit on the soil of the earth, this blaze Of growing, and sparks that puff in wild gyration, Faces of people streaming across my gaze. And I, what fountain of fire am I among This leaping combustion of spring? My spirit is

tossed About like a shadow buffeted in the throng Of flames, a shadow that’s gone astray, and is lost.

REPROACH HAD I but known yesterday, Helen, you could discharge the ache

Out of the cloud; Had I known yesterday you could take The turgid electric ache away,

Drink it up with your proud White body, as lovely white lightning Is drunk from an agonised sky by the earth, I might have hated you, Helen. But since my limbs gushed full of fire, Since from out of my blood and bone

Poured a heavy flame To you, earth of my atmosphere, stone Of my steel, lovely white flint of desire,

You have no name. Earth of my swaying atmosphere, Substance of my inconstant breath, I cannot but cleave to you. Since you have drunken up the drear Painful electric storm, and death

Is washed from the blue Of my eyes, I see you beautiful. You are strong and passive and beautiful,

I come like winds that uncertain hover;

But you Are the earth I hover over.

THE HANDS OF THE BETROTHED HER tawny eyes are onyx of thoughtlessness, Hardened they are like gems in ancient modesty; Yea, and her mouth’s prudent and crude caress Means even less than her many words to me. Though her kiss betrays me also this, this only Consolation, that in her lips her blood at climax

clips Two wild, dumb paws in anguish on the lonely Fruit of my heart, ere down, rebuked, it slips. I know from her hardened lips that still her heart is Hungry for me, yet if I put my hand in her breast She puts me away, like a saleswoman whose mart is Endangered by the pilferer on his quest. But her hands are still the woman, the large, strong

hands Heavier than mine, yet like leverets caught in

steel When I hold them; my still soul understands Their dumb confession of what her sort must feel. For never her hands come nigh me but they lift Like heavy birds from the morning stubble, to

settle Upon me like sleeping birds, like birds that shift Uneasily in their sleep, disturbing my mettle. How caressingly she lays her hand on my knee, How strangely she tries to disown it, as it sinks In my flesh and bone and forages into me, How it stirs like a subtle stoat, whatever she

thinks! And often I see her clench her fingers tight And thrust her fists suppressed in the folds of her

skirt; And sometimes, how she grasps her arms with her

bright Big hands, as if surely her arms did hurt. And I have seen her stand all unaware Pressing her spread hands over her breasts, as she Would crush their mounds on her heart, to kill in

there The pain that is her simple ache for me. Her strong hands take my part, the part of a man To her; she crushes them into her bosom deep Where I should lie, and with her own strong

span

Closes her arms, that should fold me in sleep. Ah, and she puts her hands upon the wall, Presses them there, and kisses her bright hands, Then lets her black hair loose, the darkness fall About her from her maiden-folded bands. And sits in her own dark night of her bitter hair Dreaming—God knows of what, for to me she’s

the same Betrothed young lady who loves me, and takes care Of her womanly virtue and of my good name.

EXCURSION I WONDER, can the night go by; Can this shot arrow of travel fly Shaft-golden with light, sheer into the sky

Of a dawned to-morrow, Without ever sleep delivering us From each other, or loosing the dolorous

Unfruitful sorrow! What is it then that you can see That at the window endlessly You watch the red sparks whirl and flee

And the night look through? Your presence peering lonelily there Oppresses me so, I can hardly bear

To share the train with you. You hurt my heart-beats’ privacy; I wish I could put you away from me; I suffocate in this intimacy,

For all that I love you; How I have longed for this night in the train, Yet now every fibre of me cries in pain

To God to remove you. But surely my soul’s best dream is still

That one night pouring down shall swill Us away in an utter sleep, until

We are one, smooth-rounded. Yet closely bitten in to me Is this armour of stiff reluctancy

That keeps me impounded. So, dear love, when another night Pours on us, lift your fingers white And strip me naked, touch me light,

Light, light all over. For I ache most earnestly for your touch, Yet I cannot move, however much

I would be your lover. Night after night with a blemish of day Unblown and unblossomed has withered away; Come another night, come a new night, say

Will you pluck me apart? Will you open the amorous, aching bud Of my body, and loose the burning flood

That would leap to you from my heart?

PERFIDY HOLLOW rang the house when I knocked on the door, And I lingered on the threshold with my hand Upraised to knock and knock once more: Listening for the sound of her feet across the floor, Hollow re-echoed my heart. The low-hung lamps stretched down the road With shadows drifting underneath, With a music of soft, melodious feet Quickening my hope as I hastened to meet The low-hung light of her eyes. The golden lamps down the street went out, The last car trailed the night behind; And I in the darkness wandered about With a flutter of hope and of dark-shut doubt In the dying lamp of my love. Two brown ponies trotting slowly Stopped at a dim-lit trough to drink: The dark van drummed down the distance slowly; While the city stars so dim and holy Drew nearer to search through the streets. A hastening car swept shameful past,

I saw her hid in the shadow, I saw her step to the curb, and fast Run to the silent door, where last I had stood with my hand uplifted. She clung to the door in her haste to enter, Entered, and quickly cast It shut behind her, leaving the street aghast.

A SPIRITUAL WOMAN CLOSE your eyes, my love, let me make you blind;

They have taught you to see Only a mean arithmetic on the face of things, A cunning algebra in the faces of men,

And God like geometry Completing his circles, and working cleverly. I’ll kiss you over the eyes till I kiss you blind;

If I can—if any one could. Then perhaps in the dark you’ll have got what you

want to find. You’ve discovered so many bits, with your clever

eyes,

And I’m a kaleidoscope That you shake and shake, and yet it won’t come to

your mind. Now stop carping at me.—But God, how I hate you!

Do you fear I shall swindle you? Do you think if you take me as I am, that that will

abate you Somehow?—so sad, so intrinsic, so spiritual, yet so

cautious, you Must have me all in your will and your consciousness—

I hate you.

MATING ROUND clouds roll in the arms of the wind, The round earth rolls in a clasp of blue sky, And see, where the budding hazels are thinned,

The wild anemones lie In undulating shivers beneath the wind. Over the blue of the waters ply White ducks, a living flotilla of cloud; And, look you, floating just thereby,

The blue-gleamed drake stems proud Like Abraham, whose seed should multiply. In the lustrous gleam of the water, there Scramble seven toads across the silk, obscure leaves, Seven toads that meet in the dusk to share

The darkness that interweaves The sky and earth and water and live things everywhere. Look now, through the woods where the beech-green

spurts Like a storm of emerald snow, look, see

A great bay stallion dances, skirts

The bushes sumptuously, Going outward now in the spring to his brief deserts.

Ah love, with your rich, warm face aglow, What sudden expectation opens you

So wide as you watch the catkins blow

Their dust from the birch on the blue Lift of the pulsing wind—ah, tell me you know! Ah, surely! Ah, sure from the golden sun A quickening, masculine gleam floats in to all

Us creatures, people and flowers undone,

Lying open under his thrall, As he begets the year in us. What, then, would you

shun? Why, I should think that from the earth there fly Fine thrills to the neighbour stars, fine yellow beams

Thrown lustily off from our full-blown, high

Bursting globe of dreams, To quicken the spheres that are virgin still in the sky. Do you not hear each morsel thrill With joy at travelling to plant itself within

The expectant one, therein to instil

New rapture, new shape to win, From the thick of life wake up another will? Surely, and if that I would spill The vivid, ah, the fiery surplus of life,

From off my brimming measure, to fill

You, and flush you rife With increase, do you call it evil, and always evil?

A LOVE SONG REJECT me not if I should say to you I do forget the sounding of your voice, I do forget your eyes that searching through The mists perceive our marriage, and rejoice. Yet, when the apple-blossom opens wide Under the pallid moonlight’s fingering, I see your blanched face at my breast, and hide My eyes from diligent work, malingering. Ah, then, upon my bedroom I do draw The blind to hide the garden, where the moon Enjoys the open blossoms as they straw Their beauty for his taking, boon for boon. And I do lift my aching arms to you, And I do lift my anguished, avid breast, And I do weep for very pain of you, And fling myself at the doors of sleep, for rest. And I do toss through the troubled night for you, Dreaming your yielded mouth is given to mine, Feeling your strong breast carry me on into The peace where sleep is stronger even than wine.

BROTHER AND SISTER THE shorn moon trembling indistinct on her path, Frail as a scar upon the pale blue sky, Draws towards the downward slope; some sorrow

hath Worn her down to the quick, so she faintly fares Along her foot-searched way without knowing why She creeps persistent down the sky’s long stairs. Some say they see, though I have never seen, The dead moon heaped within the new moon’s arms; For surely the fragile, fine young thing had been Too heavily burdened to mount the heavens so. But my heart stands still, as a new, strong dread

alarms Me; might a young girl be heaped with such shadow

of woe? Since Death from the mother moon has pared us

down to the quick, And cast us forth like shorn, thin moons, to travel An uncharted way among the myriad thick Strewn stars of silent people, and luminous litter Of lives which sorrows like mischievous dark mice

chavel

To nought, diminishing each star’s glitter, Since Death has delivered us utterly, naked and

white, Since the month of childhood is over, and we stand

alone, Since the beloved, faded moon that set us alight Is delivered from us and pays no heed though we

moan In sorrow, since we stand in bewilderment, strange And fearful to sally forth down the sky’s long range. We may not cry to her still to sustain us here, We may not hold her shadow back from the dark. Oh, let us here forget, let us take the sheer Unknown that lies before us, bearing the ark Of the covenant onwards where she cannot go. Let us rise and leave her now, she will never know.

AFTER MANY DAYS I WONDER if with you, as it is with me, If under your slipping words, that easily flow About you as a garment, easily,

Your violent heart beats to and fro! Long have I waited, never once confessed, Even to myself, how bitter the separation; Now, being come again, how make the best

Reparation? If I could cast this clothing off from me, If I could lift my naked self to you, Or if only you would repulse me, a wound would be

Good; it would let the ache come through. But that you hold me still so kindly cold Aloof my flaming heart will not allow; Yea, but I loathe you that you should withhold

Your pleasure now.

BLUE THE earth again like a ship steams out of the dark

sea over The edge of the blue, and the sun stands up to see

us glide Slowly into another day; slowly the rover Vessel of darkness takes the rising tide. I, on the deck, am startled by this dawn confronting Me who am issued amazed from the darkness,

stripped And quailing here in the sunshine, delivered from

haunting The night unsounded whereon our days are shipped. Feeling myself undawning, the day’s light playing

upon me, I who am substance of shadow, I all compact Of the stuff of the night, finding myself all wrongly Among the crowds of things in the sunshine jostled

and racked. I with the night on my lips, I sigh with the silence

of death; And what do I care though the very stones should

cry me unreal, though the clouds

Shine in conceit of substance upon me, who am less

than the rain. Do I not know the darkness within them? What

are they but shrouds? The clouds go down the sky with a wealthy ease Casting a shadow of scorn upon me for my share in

death; but I Hold my own in the midst of them, darkling, defy The whole of the day to extinguish the shadow I lift

on the breeze. Yea, though the very clouds have vantage over

me, Enjoying their glancing flight, though my love is

dead, I still am not homeless here, I’ve a tent by day Of darkness where she sleeps on her perfect bed. And I know the host, the minute sparkling of darkness Which vibrates untouched and virile through the

grandeur of night, But which, when dawn crows challenge, assaulting

the vivid motes Of living darkness, bursts fretfully, and is bright:

Runs like a fretted arc-lamp into light,

Stirred by conflict to shining, which else

Were dark and whole with the night.

Runs to a fret of speed like a racing wheel,

Which else were aslumber along with the whole

Of the dark, swinging rhythmic instead of a-reel.

Is chafed to anger, bursts into rage like thunder;

Which else were a silent grasp that held the

heavens

Arrested, beating thick with wonder.

Leaps like a fountain of blue sparks leaping

In a jet from out of obscurity,

Which erst was darkness sleeping.

Runs into streams of bright blue drops,

Water and stones and stars, and myriads

Of twin-blue eyes, and crops

Of floury grain, and all the hosts of day,

All lovely hosts of ripples caused by fretting

The Darkness into play.

SNAP-DRAGON SHE bade me follow to her garden, where The mellow sunlight stood as in a cup Between the old grey walls; I did not dare To raise my face, I did not dare look up, Lest her bright eyes like sparrows should fly in My windows of discovery, and shrill “Sin.” So with a downcast mien and laughing voice I followed, followed the swing of her white dress That rocked in a lilt along: I watched the poise Of her feet as they flew for a space, then paused to

press The grass deep down with the royal burden of her: And gladly I’d offered my breast to the tread of her. “I like to see,” she said, and she crouched her down, She sunk into my sight like a settling bird; And her bosom couched in the confines of her gown Like heavy birds at rest there, softly stirred By her measured breaths: “I like to see,” said she, “The snap-dragon put out his tongue at me.” She laughed, she reached her hand out to the flower, Closing its crimson throat. My own throat in her

power

Strangled, my heart swelled up so full As if it would burst its wine-skin in my throat, Choke me in my own crimson. I watched her pull The gorge of the gaping flower, till the blood did float

Over my eyes, and I was blind—

Her large brown hand stretched over

The windows of my mind;

And there in the dark I did discover

Things I was out to find:

My Grail, a brown bowl twined

With swollen veins that met in the wrist,

Under whose brown the amethyst

I longed to taste. I longed to turn

My heart’s red measure in her cup,

I longed to feel my hot blood burn

With the amethyst in her cup.

Then suddenly she looked up,

And I was blind in a tawny-gold day,

Till she took her eyes away.

So she came down from above

And emptied my heart of love.

So I held my heart aloft

To the cuckoo that hung like a dove,

And she settled soft

It seemed that I and the morning world

Were pressed cup-shape to take this reiver

Bird who was weary to have furled

Her wings in us,

As we were weary to receive her.

This bird, this rich,

Sumptuous central grain,

This mutable witch,

This one refrain,

This laugh in the fight,

This clot of night,

This core of delight.

She spoke, and I closed my eyes

To shut hallucinations out.

I echoed with surprise

Hearing my mere lips shout

The answer they did devise.

Again I saw a brown bird hover

Over the flowers at my feet;

I felt a brown bird hover

Over my heart, and sweet

Its shadow lay on my heart.

I thought I saw on the clover

A brown bee pulling apart

The closed flesh of the clover

And burrowing in its heart.

She moved her hand, and again

I felt the brown bird cover

My heart; and then

The bird came down on my heart,

As on a nest the rover

Cuckoo comes, and shoves over

The brim each careful part

Of love, takes possession, and settles her down,

With her wings and her feathers to drown

The nest in a heat of love. She turned her flushed face to me for the glint Of a moment. “See,” she laughed, “if you also Can make them yawn.” I put my hand to the dint In the flower’s throat, and the flower gaped wide

with woe. She watched, she went of a sudden intensely still, She watched my hand, to see what I would fulfil. I pressed the wretched, throttled flower between My fingers, till its head lay back, its fangs Poised at her. Like a weapon my hand was white

and keen,

And I held the choked flower-serpent in its pangs Of mordant anguish, till she ceased to laugh, Until her pride’s flag, smitten, cleaved down to the

staff. She hid her face, she murmured between her lips The low word “Don’t.” I let the flower fall, But held my hand afloat towards the slips Of blossom she fingered, and my fingers all Put forth to her: she did not move, nor I, For my hand like a snake watched hers, that could

not fly. Then I laughed in the dark of my heart, I did exult Like a sudden chuckling of music. I bade her eyes Meet mine, I opened her helpless eyes to consult Their fear, their shame, their joy that underlies Defeat in such a battle. In the dark of her eyes My heart was fierce to make her laughter rise. Till her dark deeps shook with convulsive thrills, and

the dark Of her spirit wavered like water thrilled with light; And my heart leaped up in longing to plunge its stark Fervour within the pool of her twilight, Within her spacious soul, to grope in delight.

And I do not care, though the large hands of revenge Shall get my throat at last, shall get it soon, If the joy that they are searching to avenge Have risen red on my night as a harvest moon, Which even death can only put out for me; And death, I know, is better than not-to-be.

A PASSING BELL MOURNFULLY to and fro, to and fro the trees are

waving;

What did you say, my dear? The rain-bruised leaves are suddenly shaken, as a

child Asleep still shakes in the clutch of a sob—

Yes, my love, I hear. One lonely bell, one only, the storm-tossed afternoon

is braving,

Why not let it ring? The roses lean down when they hear it, the tender,

mild Flowers of the bleeding-heart fall to the throb—

It is such a little thing! A wet bird walks on the lawn, call to the boy to come

and look,

Yes, it is over now. Call to him out of the silence, call him to see The starling shaking its head as it walks in the

grass—

Ah, who knows how? He cannot see it, I can never show it him, how it

shook—

Don’t disturb him, darling. —Its head as it walked: I can never call him to me, Never, he is not, whatever shall come to pass.

No, look at the wet starling.

IN TROUBLE AND SHAME

I LOOK at the swaling sunset

And wish I could go also Through the red doors beyond the black-purple bar.

I wish that I could go Through the red doors where I could put off

My shame like shoes in the porch,

My pain like garments, And leave my flesh discarded lying Like luggage of some departed traveller

Gone one knows not where.

Then I would turn round, And seeing my cast-off body lying like lumber,

I would laugh with joy.

ELEGY SINCE I lost you, my darling, the sky has come near, And I am of it, the small sharp stars are quite near, The white moon going among them like a white bird

among snow-berries, And the sound of her gently rustling in heaven like

a bird I hear. And I am willing to come to you now, my dear, As a pigeon lets itself off from a cathedral dome To be lost in the haze of the sky, I would like to

come, And be lost out of sight with you, and be gone like

foam. For I am tired, my dear, and if I could lift my feet, My tenacious feet from off the dome of the earth To fall like a breath within the breathing wind Where you are lost, what rest, my love, what rest!

GREY EVENING WHEN you went, how was it you carried with you My missal book of fine, flamboyant hours? My book of turrets and of red-thorn bowers, And skies of gold, and ladies in bright tissue? Now underneath a blue-grey twilight, heaped Beyond the withering snow of the shorn fields Stands rubble of stunted houses; all is reaped And garnered that the golden daylight yields. Dim lamps like yellow poppies glimmer among The shadowy stubble of the under-dusk, As farther off the scythe of night is swung, And little stars come rolling from their husk. And all the earth is gone into a dust Of greyness mingled with a fume of gold, Covered with aged lichens, pale with must, And all the sky has withered and gone cold. And so I sit and scan the book of grey, Feeling the shadows like a blind man reading, All fearful lest I find the last words bleeding With wounds of sunset and the dying day.

FIRELIGHT AND NIGHTFALL THE darkness steals the forms of all the queens, But oh, the palms of his two black hands are red, Inflamed with binding up the sheaves of dead Hours that were once all glory and all queens. And I remember all the sunny hours Of queens in hyacinth and skies of gold, And morning singing where the woods are scrolled And diapered above the chaunting flowers. Here lamps are white like snowdrops in the grass; The town is like a churchyard, all so still And grey now night is here; nor will Another torn red sunset come to pass.

THE MYSTIC BLUE OUT of the darkness, fretted sometimes in its sleeping, Jets of sparks in fountains of blue come leaping To sight, revealing a secret, numberless secrets keeping. Sometimes the darkness trapped within a wheel Runs into speed like a dream, the blue of the steel Showing the rocking darkness now a-reel. And out of the invisible, streams of bright blue drops Rain from the showery heavens, and bright blue

crops Surge from the under-dark to their ladder-tops. And all the manifold blue and joyous eyes, The rainbow arching over in the skies, New sparks of wonder opening in surprise. All these pure things come foam and spray of the sea Of Darkness abundant, which shaken mysteriously, Breaks into dazzle of living, as dolphins that leap

from the sea Of midnight shake it to fire, so the secret of death

we see.